bestselling Red Queen series, allegiances are tested on every side. And when
the Lightning Girl’s spark is gone, who will light the way for the rebellion?
Mare Barrow is a prisoner, powerless without her lightning, tormented by her
lethal mistakes. She lives at the mercy of a boy she once loved, a boy made of lies
and betrayal. Now a king, Maven Calore continues weaving his dead mother’s web
in an attempt to maintain control over his country—and his prisoner.As Mare bears the weight of Silent Stone in the palace, her once-ragtag band of
newbloods and Reds continue organizing, training, and expanding. They prepare
for war, no longer able to linger in the shadows. And Cal, the exiled prince
with his own claim on Mare’s heart, will stop at nothing to bring her back.
When blood turns on blood, and ability on ability, there may be no one left to
put out the fire—leaving Norta as Mare knows it to burn all the way down.
books in the series:
game of charade and Glass Sword was a
game changer, then King’s Cage is a
reincarnation of the two, manipulation and war and survival and politics woven
into its essence, but on a whole other level. No longer a hide and seek
playground, but a chessboard where powerful masterminds control kings and
queens and princes and princesses and many, many pawns to fight for the
ultimate trophy — the throne of Norta. Organized chaos that was delicious to
jaw-dropping twist that meant the focus in this continuation will transfer to
the dynamic between Mare and Maven. I stopped comparing Maven and The Darkling
a long time again and rightfully so — with the Darkling I always felt an
inkling of hope for redemption, with Maven there is only the clinical
dissecting of his behavior and attitudes that give no room for such innocent
naivety. What brought me emotionally to my knees was not the revelation that he
really is a pawn through and through, even after his mother’s death, but that
he is aware of it and he accepts his damned fate, molding to the villain
persona by his own accord. He is a four-geared system that runs on hate, anger,
fear and twisted love. Maven is a victim and you cannot help but feel pity for
him. The what ifs of what he could have become without Elara’s interference are
a stark reminder that monsters are made, not born.
pain makes you stronger. Love makes you weak.”
another side-effect. It’s honestly so sad to watch his inability to change and
to love normally. His mind is perpetually assaulted by paranoia and loneliness,
continuously eating at his ghost of a soul. He astounds through his cunningness
and cleverness, many underestimating him. But he is his mother’s son, after
all, and the legacy leaves behind both scars and advantages. Mare is the one
that knows him best and they use each other to survive a royal cage that,
paradoxically, suffocates them both.
yet. Our heroine grows so much, even through trauma. I love that, despite the
fact that she has been put through hell, she doesn’t let herself get sucked
into the void. She still smiles, she still loves, she doesn’t lose hope. Her
sparks, even though kept away in tangible form, reside inside herself and allow
her to live. And I loved the fact that she is portrayed in fear lots of time —
it doesn’t make her weak, on the contrary; the fear brings out her deepest
survival instincts, giving her a shot of winning the battle against greater
opponents that loom over her shoulder. Much like Maven. And goddamn it, she
fights, with her mind, with her body. She fights to not become a skeleton
trapped in a prison, mentally and physically.
his weakness for her, but always trying to bring him on the right path. Their
dialogue is beautiful, mirroring two broken souls, trying to outsmart each
other. They find refuge in one another, no matter how twisted and toxic. And
Mare, at least, finally gets a clearer picture about this plague of a boy.
into the eye of the storm.”
intelligent, caring, naive, hot, intense, good fucKING SILVER PRINCE THAT
CANNOT CUT THE CRAP OF THOSE WHO WANT TO USE HIM OR KEEP HIS PROMISES. Sorry.
That must have been a bit harsh. But it’s the truth. I honestly love him to
bits. His love for Mare turns me to a blubbering mess. His hope for Maven is
crushing. His friendship with Kilorn warms my heart. But fucking hell he’s
still Prince Tiberias the Seventh and his identity bites everyone in the ass,
especially himself. AND HE’S A GODDAMN STUPID IDIOT. Okay, I’m done ranting.
bear the curse that love brings with it.”
our dearest Mare melted my heart. The mutual support, the understanding, the
goofiness, the sexiness, the courage to break stereotypes… ALL OF IT is just
or rather Aveyard’s flawless constructing of it, making me feel something I
have never contemplated in the first two books: love for Evangeline Samos.
However, don’t imagine something along the lines of the sudden angelic
rendering of Celeste in The One, for
instance. Far from it. Evangeline is still the quintessential bitch. But I
adored how she upgraded from a mere queen-wannabe that has only arrogance,
ambition and jealousy as main traits to a deeply intriguing, multi-layered and
surprising anti-heroine. Again, readers can regard her as another one who was
made. Made for being a queen, made for being perfect, made for her family’s
well being. We have her POV as well, not necessarily as a mechanism to see from
a different perspective, but to offer further glimpses into a universe governed
by politics, secrets, manipulation and, of course, power. Throughout it all,
she remains strong as steel, kickass and terrifying, splendid when she is
gradually humanized through the unraveling of her desires and fears in a manner
that highlights her internal conflict: freedom and love or duty and submission?
and the most cunning. The most worthy. And I was everything.”
is awesome. Julian is awesome. Sara is awesome. Kilorn, we don’t see as much,
but he is comforting in a familiar way. The whole Samos family is pretty much
badass in a disturbing way and I devoured their scenes. The Colonel, a Premier
named Davidson, newbloods, Reds and Silvers alike expand the borders of what we
previously knew. Old queens, new kings, ruthless princes and princesses and
faraway commanders make up the backbone of the Lakelands, Piedmont, Montfort
and, of course, Norta, forging the world-building aspect.
associated them with Cameron’s POV. She was a bit hard to stomach, even though
she is definitely the no-bullshit type. Progressively, I learned to like her,
but the reason why I cut down on the rating is partly thanks to her as well.
The other motive is the fact that Mare’s imprisonment to Maven, although
seductive and psychologically-embedded, was slow-burning in a frustrating way,
grating on my nerves for the lack of action. It was like I was simultaneously
wasting away along Mare, unable to speed up the process.
saw it coming miles away. Didn’t lessen the pain though. It leaves the story at
a precarious tipping point, a crossroads of a sort, with certain revelations
confirming what I’ve been dreading: the last book will equate to death. As a
dedicated fangirl, I fear for my mental stability after the next installment
closes the story.
follow-up in a thrilling and exciting series. The story of this novel will have
resounding echoes in the last book (ohmygodjustonemorebook). The grand,
masterful blend of action and politics and romance had my head spinning, awed,
and the characters infuse a unique vibe to an already mesmerizing mix of
dystopia and fantasy. I cannot recommend these books enough.